Music China 2024German Exhibitors G. Henle Verlag

G. Henle Verlag

Booth number: E1D24
www.henle.de

About us

Address

G. Henle Verlag
Forstenrieder Allee 122
81476 Munich
Germany

E-mail: info@henle.de
Phone:  +49 89 75982-0
Internet: www.henle.de

Contact person:

April Wang
Head of Marketing China
E-mail: sales.china@henle.de
Phone: +86-176 03 85 18 10

Products & Services

Sheet Music & Publishers

Noted world-wide for their blue Urtext editions as a standard of quality. The catalogue covers the important repertoire of classical piano music, chamber music and piano.

Johann Sebastian Bach: The Well-Tempered Clavier Part I

The world-famous pianist András Schiff, a most familiar name to Bach fans on account of his complete recordings of Bach’s piano works, has provided fingerings for both parts of the Well-Tempered Clavier. He discusses aspects of performance practice in a detailed preface. The basis for the musical text was Henle’s revised edition of Part I published in 1997 and Yo Tomita’s revision of Part II (Spring 2007). A detailed commentary rounds off the editions. Both parts of the Well-Tempered Clavier are also available as Henle Urtext editions without fingerings and as study editions.

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Chinese Piano Music, Works of the 20th century

This extraordinary edition includes a selection of piano works by Chinese composers from the second half of the 20th century. They are marked by Western influences while also reflecting the multifaceted folk music of China. They range from short character pieces to sonatinas, from simple song arrangements to multi-movement cycles. These works are of medium difficulty and offer a representative cross-section of a musical cosmos that remains largely unknown in Europe. Predominantly pentatonic in character, these works unite the magic of Far Eastern music with the sound of the piano.
We were able to get the well-known pianist Jingxian (“Jane”) Xie from Shanghai to select these compositions, which she herself regularly performs in the concert hall. She not only provided the fingerings, but has also written a preface that offers a general overview of modern Chinese piano music and introductions to each of the individual pieces.

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